Performance / Installation / Research
A stage costume and generative AI project developed during a UAL × Tate residency, culminating in a live band performance at Tate Modern where a heartbeat-responsive LED system transformed the body into part of the show.
An interactive installation and short film exploring the overlooked role of mannequins in the costume industry, following their journey from fashion exhibitions to abandonment.
Historical costume research analyzing David Garrick’s 1745 portrait, investigating 18th-century British menswear construction, fabric choices, and social context to inform an authentic period garment recreation.